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An explanation of the grotesque continuity breaks in films re guns
I was explaining to someone why sometimes the guns CHANGES to another gun and then changes back. Usually bad editing, BUT the editor can only work with what they have. Here are some examples of why continuity breaks happen (and other dumb stuff that happens) that I have run into in the past.
a) The director swapping guns between actors like an maniac: I've been on films where the director changed out the guns without consulting the armorer or at the time we didn't know what the shot list was. In fact, very rarely does the armorer even know the script or shot list, except in larger films where a big gun battle or action sequence is taking place. If the filming is going at a breakneck pace, then we have to run onto set and hand an actor a gun quickly without knowing what shot the director has in mind. I've been on sets where the director makes the actor use a different gun. At the time I just figured it would be explained later, but alas, rarely it does. b) The production not telling us what guns to bring on what day I was on a television show where they wanted a shotgun but the woman in charge of the props department requested an AK47. Who uses an AK to breach the hinges on a heavy door?!?!?!?! The production had to make do, but these guys expected me to show up with a semi truck trailer filled with hundreds of guns (like the props trailer on a set), but armorers don't work like that. We don't bring hundreds of guns to a set with the hopes that the movie will use ONE GUN out of all of that. Also this scene broke continuity with a sequence filmed earlier where the actor DID have a shotgun. Again, not our fault. (c) Only major motion pictures do tons of pre-production with guns. Most lower budget movies, indies, and many foreign films give us NO TIME to barely train the actors. We don't have the luxury of spending weeks training the actors with gun handling and tactics. Only the BIG BUDGET films do that. When that happens it's a DREAM. On indie shoots, It's a bit of a hair raising experience on some sets to maintain firearms security AND firearms safety. But we have never wavered. I (and other armorers) have stopped a particular shot because it was unsafe. You have better be quick on your feet to see if some productions are a bunch of impulsive monkeys or not (I've discovered that some foreign film crews work on a completely different set of rules than American ones do .... mostly to do with safety and common sense ... ) (d) Most directors don't know sh*t about guns or tactics Sure there are some COOL directors who have great gun battles in their films, but 99% of the other directors don't know a damned thing. You wondered why someone shot with a .44 magnum goes flying backwards twenty feet, doing a triple aerial sommersault at the same time? It's because the stunt coordinator thought it up and the director loved it, even though the gun wrangler/armorer thinks it's completely retarded. We don't argue with the director. It's not our place. (e) Some actors don't listen I can't count how many times I've yelled at actors or extras for dry firing guns or doing stupid things like spinning a cylinder and slamming it shut on a revolver, etc. etc. And seeing them 'ad lib' and drop the gun when we have rubber guns for that kind of thing?!?!?! It's enough to give you a stroke! Also the bad gun stance, the bad room clearing technique, the bad pistol or rifle or shotgun handling. We work with what we are given. Some actors or actresses just can't do it right, no matter how many times we try to train them. So we have to make do with the least offensive techniques. We have a filming schedule to keep after all. (f) Some editors just don't catch the problems Again, editors work with what they have. If you see a gun, and the ultra closeup of the trigger being pulled is from a completely different weapon, then the editor didn't have footage to pull from to do that sequence. It happens. Sometimes Directors of Photography (DP) or the director themselves don't get the coverage needed to do a cool and fast paced sequence, so the editor has to make do. A gun savvy editor would be horrified and do something else. Most editors don't know anything about guns. To them, a gun is a gun is a gun. I guess I'm a bit of a hot head. A lot of the other armorers really know how to bite their lips on a set. Makes you wonder why someone would post only with an online screen name .... oh wait a minute ... that's why |
#2
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Well if I have your job, I would know your pain, but you get paid one way or another and you do your job to the best of your abilities can take you and eventually you run into actors that listen and learn, directors who understands and editors that pay attention. I can't imagine the stress armorers have to go through on sets.
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"There's a fine line between not listening and not caring...I like to think I walk that line everyday of my life." Blessed be the LORD, my rock, Who trains my hands for war, And my fingers for battle Psalm 144:1 “It is always wrong to use force, unless it is more wrong not to.” |
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#4
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This post is appreciated. However, don't worry about us blaming the armorer for all the shit about guns that's inaccurate in movies. Criticizing Hollywood for gun inaccuracies and stupid handling is a trademark of the gun-owning community, but I think we take for granted that most of the ignorance is because Hollywood is full of liberal idiots who don't like guns and don't know anything about them.
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Like in "Die Hard 2: Die Harder". Remember the scene where Bruce Willis fires an MP5 loaded with blanks at the police chief, and then he ejects the magazine to show him that it's blanks? When he takes out the mag, he throws the MP5 down on the floor HARD. I don't think the MP5 used in that scene was a rubber version (because I'm not aware of rubber guns that have detachable magazines), and I can't imagine they would have mentioned him throwing the gun on the floor in the script, so I think Bruce actually threw down a real, expensive transferable MP5 while ad-libbing! I bet (in fact, I hope) Mike Papac yelled at him for that afterwards. Something else you should ask Mike about! But anyway, it really is crazy to me that actors could have so little respect for other people's property. Maybe it's just me, but when somebody hands me something expensive (doesn't matter if it's a gun, a car, a computer, whatever), my first instinct is to treat it with care. After all, it's not mine, and I don't want to pay for it if I break it, plus I believe in taking care of stuff. But I guess this instinct is eroded in the minds of too many actors who get paid such ridiculous salaries that they don't give a shit what they break. |
#5
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They might have put a pad down. I've seen the way Willis handles guns, he seems like a pretty gun-savy person. Republican too I believe.
In T2, they had him drop that real GE M134 Minigun with no padding or anything, because it "had to look real" and the Terminator wouldn't care about it. Who care what the stupid Terminator thinks, have him toss it at a mat off-screen! As for MPM's post, excelent work, great way to sum it up from your perspective. I promise you if I ever become a director, anyone who does that crap will be OFF THE SET. I would kill an actor if they tossed one of my guns on the ground or mishandled it. Hey MPM, has anyone been dumb enough to cause an on-set gun related injury while you were around? And who are some actors well known who you would recommend to avoid giving a gun to? |
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#7
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Removing info for MPM's sake
Last edited by Gunmaster45; 02-19-2009 at 09:16 PM. |
#8
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I mentioned that I had no idea. He was out of my line of sight for 15-20 minutes and the gun returned destroyed. Also, yes. I appreciate those quips be out of a public forum. I mentioned them in private user pages since I assume those aren't perused by the general public.
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#9
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I think this list of why there are continuity breaks should be in the myth page when it gets made
__________________
"There's a fine line between not listening and not caring...I like to think I walk that line everyday of my life." Blessed be the LORD, my rock, Who trains my hands for war, And my fingers for battle Psalm 144:1 “It is always wrong to use force, unless it is more wrong not to.” |
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MPM I feel your pain, I had a M2HB crushed by a hummer 2 years ago, they paid me in less then 5 days lol.
a) The director swapping guns between actors like an maniac: up here directors let alone anyone else are not allowed to touch the guns, only the armorer period, if he wants to swap it out and I know it's wrong, well it's his show. But I do agree with you on this. b) The production not telling us what guns to bring on what day Oh how I know this all to well lol. Yes sir, let me slide that gun you just dreamed of from between my butt cheeks. (c) Only major motion pictures do tons of pre-production with guns. Very true. I am doing a swat series and they expected me to teach the actors how to use 5 various firearms in 1 hour with 7 key cast members, it was a long coffee break amongst all of us, they knew it was BS. (d) Most directors don't know sh*t about guns or tactics Man, do I ever roll my eyes on this one, but it's entertainment. (e) Some actors don't listen The background for sure, a small percentage of stunts, key cast....only one to my mind and I yelled at him with sound and camera's rolling for a good 10 seconds, lots and lots of F bombs. The producers thanked me for that. (f) Some editors just don't catch the problems agree, sometimes the prop teams between the units don't talk well enough or even know the differance between guns. At the start I would always suggest the right way, after awhile it just became clear that that's what they want and so be it, only the 1% see the goof and life will move on, but my suggestions sometimes are heard by the ones who care. |
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