Speaking of James Cameron, THR has a nice article with Robert Patrick in time for the 25th anniversary re-release of T2, where he talks a bit about training to fire his Beretta without flinching and reloading. As great as that movie was, and as impressive as his performance was ripping through an entire mag without flinching, what's the deal with the sound editing? You're firing a 9mm in an enclosed hallway, and it literally goes pew-pew-pew?
http://www.hollywoodreporter.com/hea...t-1000-1030468